Dream Projects, Dangerous Ideas, & the Kind of Work I Live For

I’m especially drawn to projects where music is treated as a core pillar of worldbuilding, gameplay identity, and long-term audience connection rather than simply background support. The kinds of productions I’m most excited to contribute to are ambitious games and modern media experiences with strong artistic direction, distinct visual identity, and a willingness to let the score take creative risks alongside the rest of the project.

From a creative standpoint, I’m particularly passionate about fighting games, action RPGs, sci-fi, dark fantasy, psychological horror, stylized action, mature animation, anime-inspired projects, and hybrid cinematic experiences that benefit from highly thematic, memorable musical identities. I’m most energized when collaborating with teams looking for a score that feels inseparable from the project itself, whether that means massive orchestral worldbuilding, aggressive and modern hybrid production, experimental sound design, emotionally driven thematic writing, or genre fusion that helps define a project’s tone in a recognizable way.

I’m ultimately looking to work with developers, audio directors, music supervisors, and creative teams who value originality, strong collaboration, and music that meaningfully elevates player immersion, emotional storytelling, character identity, and long-term audience attachment to a franchise.